Table of Contents
ACMR Reports - v. 12, 1999
| Editor: Joseph S.C. Lam Associate Editor: Helen Rees Review Editor: J. Lawrence Witzleben Contributing Editor: Sue Tuohy |
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Contents |
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| From the Editor | iii | |
| From the Review Editor | v | |
| Articles | ||
| Old Wine in New Bottles: The Use of Traditional Materials in New Chinese Music | Eric Lai | 1 |
| Maestro Li Delun and Western Classical Music in The People's Republic of China: A Personal Account | Oliver K. Chou | 23 |
| Chinese Music in the San Francisco Bay Area | Valerie B. Samson | 47 |
| The Daguashe Music of Xi'an | Han-Kuo Huang | 103 |
| Viewpoints | ||
| The Oldest Playable Instrument in the World: Whose World? Whose Credit? What Date? | Su Zheng | 123 |
| News and Truth: Orientalism vs. Occidentalism | Li Wei | 125 |
| Chinese Musicological Research in China, Abroad, and Other Issues | Bell Yung | 127 |
| Book Reviews | ||
| Thompson, Music Beyond Sound: The Silk String Zither | Yi-Ping Huang | 133 |
| Lam, State Sacrifices and Music in Ming China: Orthodoxy, Creativity, and Expressiveness | Stephen Jones | 138 |
| Schimmelpenninick, Chinese Folk Songs and Folk Singers: Shan'ge Traditions in Southern Jiangsu | Sue Tuohy | 143 |
| Lum, In Search of a Voice: Karaoke and the Construction of Identity in Chinese America | Terence Liu | 150 |
| Stock, Musical Creativity in Twentieth-Century China: Abing, his Music and its Changing Meanings | Frederick Lau | 153 |
| Current bibliography on Chinese Music | Sue Tuohy | 157 |
| Contributors | 193 | |
| Information for authors | 197 | |

