Table of Contents
ACMR Reports - v. 11, 1998
| Editor:
Joseph S.C. Lam Associate Editor: Helen Rees Contributing Editor: Sue Tuohy |
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Contents |
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| From the Editor | iii | |
| Articles | ||
| Music of Qin: From the Scholar's Study to the Concert Stage | Bell Yung | 1 |
| The Parting of the Way: Three Generations of Qin Performances | Yi-Ping Huang | 15 |
| Little Great Tradition: Thoughts on Recent Developments in Jiangnan Sizhu | Frederick Lau | 45 |
| Peking Opera as "National Opera" in Taiwan: What's in a Name? | Nancy A. Guy | 67 |
| Viewpoints | ||
| Writing about Chinese Opera (Xiqu) in English: One Hundred Flower Bloom, One Hundred Terns Contend | Nancy A. Guy | 89 |
| Terminology of Chinese Music: Some Random Thoughts | Stephen Jones | 95 |
| Some Thoughts on Names of Genres and Places | Barbara Smith | 98 |
| On the "What's in a Name?" Controversy | Elizabeth Wichmann-Walczak | 100 |
| Words, Meanings, and Scholarship on Chinese Music | J. Lawrence Witzleben | 102 |
| Beyond a Matter of Name and Language | Su Zheng | 104 |
| Ma Bomin and the Question of Creative Authority in the Peony Pavilion Controversy | Elizabeth Wichmann-Walczak | 107 |
| The Peony Pavilion | Isabel Wong | 111 |
| Book Reviews | ||
| Yung, Celestial Airs of Antiquity: Music of the Seven-String Zither of China | Yi-Ping Huang | 113 |
| Current bibliography on Chinese Music | Sue Tuohy | 117 |
| Reports on Recent Meetings and Conferences | 133 | |
| Recent Dissertation Abstracts | 136 | |
| Contributors | 139 | |
| Information for Authors | 143 | |

